STANLÆY

We warmly welcome you to STANLÆY‘s sonic universe 

STANLÆY is a unique concept which spawns from one young-lady, and encompasses the artists that currently contribute to STANLÆY’s artwork whilst existing as an individual with an individual identity and personality. The sum, in this case, is a separate being to the sum of it’s parts. 

Sometimes similarly working like an art collective, sometimes a solo artist, sometimes a film project, a band, STANLÆY is a fluid being who does not easily remain tied to solid structures. Stanlaey loves to evolve, and change hues. STANLÆY lives in the shadows, and thrives amongst constellations. STANLÆY lives on art, of all kinds. STANLÆY is tender genderlessness. STANLÆY is measureless, dimensionless. 

Nurtured and embodied by Bethany Stenning (with it’s infancy in September 2016), STANLÆY is henceforth both Bethany Stenning’s artistic pseudonym, and everyone involved in STANLÆY at any one given time…


ABOUT:

Stanlaey is currently a quartet led by Bethany Stenning (vocals, electric guitar, composer) with Ben Holyoake (Bass), Naomi Hill (violin) and Oli Cocup (drums) where the band’s avant-garde soundscape has developed in a diverse genre pool of jazz, pop and folk, being compared to artists such as Joanna Newsom, Hiatus Kaiyote and Sigur Rós. The band takes listeners on a journey through ethereal ambient vocal/violin duets, to jagged rock outs – evolving from heavier to more delicate sounds with absolute ease.

STANLÆY was recently one of Pink Wafers 20 bands to look out for in Bristol alongside big names Yama Warashi and The Evil Usses. Further, the band was London’s The Standard’s top of the 20 upcoming bands you should see at Glastonbury 2019, exclaiming: “If Björk had grown up in the West Country, we reckon this is what her music would have sounded like. Freaky folk songs with alluringly erratic vocals and knotty song structures make STANLÆY a compelling prospect.”

The lyrical narratives of STANLÆY explore surrealist takes on how human life in the modern world is juxtaposed with our ancient relationships to nature. These ideas, alongside contemplations about consciousness and free will, are set to a series of hallucinatory, twilight soundworlds with virtuoso post classical arrangements, haunting folk melodies and a deft palette of subtle and ever evolving textures. Fairy tale chamber pop for the 21st Century.

MUSIC // VIDEOS

‘Ode to Ovid’, from upcoming album The Human Project:

 

‘The Mountain Collector’, from upcoming album The Human Project:

 

‘Kaleidoscope’, SINGLE released from album Ouroboros released on the 11th February 2017, The Art House, Southampton. Available on Googleplay and Itunes:

‘NME’, official video released from album Ouroboros:

‘The Fisherman’s Wife’, Official video from album Ouroboros:

 

FIND STANLAEY ON FACEBOOK HERE

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Ouroboros

Ouroboros is Stanlaey’s album released on the 11th February 2017

Available as hard copies, or digitally via band camp

You can read the full Album Launch review HERE

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Ouroboros was written and recorded by Bethany in the Summer of 2016, in Cornwall. Inspired by the vastness of the ocean and the sky, and the concept of Ouroboros the ancient Greek symbol depicting a serpent or dragon eating its own tail. Ouroboros often symbolises introspection, eternity, and cyclicality . It is the ultimate symbol of renewal, that spins in an infinite cyclic circle of nature’s creation and destruction. There are 10 tracks – each track explores this concept from different hues, transforming the Ouroboros serpent into a water-snake. See Jörmungandr.

Following the release of the album, Stanlaey went on a mini GIRL POWER tour around England/Ireland.

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THE FISHERMAN’S WIFE OFFICIAL VIDEO: HERE